Lost in Translation - Soprano Sax and Piano

Lost in Translation (2005) deals with the phenomenon of attempting to communicate in a new language before one is proficient. There are many moments between the saxophone and piano that are clearly understood and harmonious, but there are an equal number of moments that are concerned with repetition, syntax, missed meanings and frustration. The material is sometimes joyous and excited and at other times ominous and threatening, and constantly shifts between these poles as the two instruments press on in their dialogue together and separately. Lost in Translation was written during the first few weeks of my residence as a Visiting Artist at the American Academy in Rome in September 2005, at the request of saxophonist Carey Valente.

- Dorothy Hindman

Premiere: September 28, 2006
Lori Ardovino-Neprud, soprano saxophone
Laurie Middaugh, piano
Birmingham Art Music Alliance concert
Birmingham, Alabama
Commissioner: Carey Valente

Described as “highly recommended for rockers wishing to get their feet wet in post-20th century classical music,” (ICON), Dorothy Hindman’s unique blend of spectralism with punk/grunge has received over 400 global performances in venues including Carnegie Hall, the United Nations, and the Muziekgebouw. Collaborators include trailblazers Bent Frequency, Splinter Reeds, [Switch~ Ensemble], Fresh Squeezed Opera, Robert Black, Craig Hultgren, and others. Recognition includes the Mellon Foundation, ISCM/New Music Miami, NACUSA, and more. Her music is on innova, Albany, Capstone, EMM and Living Artist labels, and published by Subito, NoteNova, and dorn/Needham. Hindman teaches at the Frost School of Music.