Nocturne No. 3 in G Major, "Homage to Claude Debussy" - Piano

There are hints of Debussy's Claire de lune and his La cathedrale engloutie in this Nocturne, but sounds of Erik Satie may also come to mind. Atypical to Debussy, however, Berkey's composition has detailed pedaling. Double stemming sometimes indicates melodic lines, which occur as part of a moving ostinato or accompanimental figure. In these instances, melodic pedaling is necessary for clarity. As with all of his piano works, Jackson writes with a high level of specificity, but there is always great opportunity for personal expression, as well.