Aria Album: Male Roles - High Voice and Piano
Catalog: BA4296
Price: $33.95
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Aria Albums from Handel's Operas Male Roles for High Voice Italian opera was at the centre of Handel’s output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel’s operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressive forms of expression such as the arias, but also employ contrapuntal elements as found in Handel’s chamber music. Based on the Baenreiter vocal scores, three volumes were published which contain some of Handel’s best-known arias, duets and trios, together with less well-known numbers of equally high musical quality. The arias are arranged chronologically, reflecting the order in which the operas were composed. Text in Italian. Commentary in German and English.
- Rinaldo: Cara sposa, amante cara
- Rinaldo: Di speranza bel raggio - Venti, turbini
- Rinaldo: Or la tromba
- Radamisto: Cara sposa, amato bene
- Giulio Cesare in Egitto: Domero la tua fierezza
- Tamerlano: Vuo dar pace
- Tamerlano: A dispetto
- Rodelinda, Regina de' Longobardi: Pompe vane di morte - Dove sei, amato bene?
- Rodelinda, Regina de' Longobardi: Vivi, tiranno
- Lotario: Alla tenda reale - Non disperi peregrino
- Ariodante: Oh! felice mio core! - Con l'ali di costanza
- Ariodante: E vivo ancora? - Scherza, infida
- Ariodante: Dopo notte atra e funesta
- Alcina: Verdi prati
- Serse: Frondi tenere - Ombra mai fu
- Serse: Se bramate d'amar chi vi sdegna
- Imeneo: Sorge nell'alma mia
- Imeneo: Pieno il core
Publisher: | Bärenreiter |
Composer/Author: | Handel, G. F. |
Arranger/Editor: | Burrows, Donald |
Catalog Number: | BA4296 |
Pages: | 79 |